New Releases Tuesday: The Best Books Out This Week

The prophecy of the nameless god — the words that declared Malini the rightful empress of Parijatdvipa — has proven a blessing and curse. She is determined to claim the throne that fate offered her. But even with the strength of the rage in her heart and the army of loyal men by her side, deposing her brother is going to be a brutal and bloody fight.

The power of the deathless waters flows through Priya’s blood. Thrice born priestess, Elder of Ahiranya, Priya’s dream is to see her country rid of the rot that plagues it: both Parijatdvipa’s poisonous rule, and the blooming sickness that is slowly spreading through all living things. But she doesn’t yet understand the truth of the magic she carries.

Their chosen paths once pulled them apart. But Malini and Priya’s souls remain as entwined as their destinies. And they soon realize that coming together is the only way to save their kingdom from those who would rather see it burn — even if it will cost them.

Reasons to read it: For a continuation of Priya’s and Malini’s journey to save their kingdom. Set in a world inspired by India, The Oleander Sword balances political tensions, romance, and sacrifice. The pace of the story is slower, allowing for each character to be fully formed and for an ending that will wreck you in the best way.

Like Gloria Naylor’s The Women of Brewster Place and Lin Manuel Miranda’s In the Heights, Sidik Fofana’s electrifying collection of eight interconnected stories showcases the strengths, struggles, and hopes of one residential community in a powerful storytelling experience.

Each short story follows a tenant in the Banneker Homes, a low-income high rise in Harlem where gentrification weighs on everyone’s mind. There is Swan in apartment 6B, whose excitement about his friend’s release from prison jeopardizes the life he’s been trying to lead. Mimi, in apartment 14D, who hustles to raise the child she had with Swan, waitressing at Roscoe’s and doing hair on the side. And Quanneisha B. Miles, a former gymnast with a good education who wishes she could leave Banneker for good, but can’t seem to escape the building’s gravitational pull. We root for these characters and more as they weave in and out of each other’s lives, endeavoring to escape from their pasts and blaze new paths forward for themselves and the people they love.

Stories from the Tenants Downstairs brilliantly captures the joy and pain of the human experience and heralds the arrival of a uniquely talented writer.

Reasons to read: The differing perspectives offered by each resident of the Harlem low income high rise add up to a rich and beautifully written account of how gentrification is felt by a variety of people. The characters’ stories are immersive, and while each of them experiences melancholy, they also experience hope.

After a long-buried, harrowing incident, a woman whose promising film career was derailed has an opportunity for revenge in this visceral and timely thriller about power, privilege, and justice.

A Hollywood has-been, Sarah Lai’s dreams of success behind the camera have been put to the wayside. Now a lecturer at an obscure college, this former producer wants nothing more than to forget those youthful ambitions and push aside any feelings of regret…or guilt.

But when a journalist reaches out to her to discuss her own experience working with the celebrated film producer Hugo North, Sarah can no longer keep silent. This is her last chance to tell her side of the story and maybe even exact belated vengeance.

As Sarah recounts the industry’s dark and sordid secrets, however, she begins to realize that she has a few sins of her own to confess. Now she must confront her choices and ask herself, just who was complicit?

Reasons to read it: For a look into the experiences of a child of Chinese immigrants in the film industry as it undergoes a Me Too–like reckoning. The prose is concise and the characters seem very real. Issues like racial discrimination, sexism, and abuse are also handled thoughtfully.

This beautiful, spare novel of platonic unrequited love springs into being around the singular character of the stoic, exacting Professor Elizabeth Finch. Neil, the narrator, takes her class “Culture and Civilisation,” taught not for undergraduates but for adults of all ages; we are drawn into his intellectual crush on this private, withholding, yet commanding woman. While other personal relationships and even his family drift from Neil’s grasp, Elizabeth’s application of her material to the matter of daily living remains important to him, even after her death, in a way that nothing else does.

In Elizabeth Finch, we are treated to everything we cherish in Barnes: his eye for the unorthodox forms love can take between two people, a compelling swerve into nonfictional material (this time, through Neil’s obsessive study of Julian the Apostate, following on notes Elizabeth left for him to discover after her death), and the forcefully moving undercurrent of history, and biography in particular, as nourishment and guide in our current lives.

Reasons to read it: This cerebral, essayistic novel is the latest from a highly celebrated, award-winning novelist. The character of Elizabeth Finch that the novel is centered around is intriguing, and Barnes’s beautiful prose wholly encapsulates absolute adoration.

From Ryan La Sala, the wildly popular author of Reverie, comes a twisted and tantalizing horror novel set amidst the bucolic splendor of a secluded summer retreat.

Mars has always been the lesser twin, the shadow to his sister Caroline’s radiance. But when Caroline dies under horrific circumstances, Mars is propelled to learn all he can about his once-inseparable sister who’d grown tragically distant.

Mars’s genderfluidity means he’s often excluded from the traditions — and expectations — of his politically-connected family. This includes attendance at the prestigious Aspen Conservancy Summer Academy where his sister poured so much of her time. But with his grief still fresh, he insists on attending in her place.

What Mars finds is a bucolic fairy tale not meant for him. Folksy charm and sun-drenched festivities camouflage old-fashioned gender roles and a toxic preparatory rigor. Mars seeks out his sister’s old friends: a group of girls dubbed the Honeys, named for the beehives they maintain behind their cabin. They are beautiful and terrifying — and Mars is certain they’re connected to Caroline’s death.

But the longer he stays at Aspen, the more the sweet mountain breezes give way to hints of decay. Mars’s memories begin to falter, bleached beneath the relentless summer sun. Something is hunting him in broad daylight, toying with his mind. If Mars can’t find it soon, it will eat him alive.

Reasons to read it: The lyrical and highly imaginative writing La Sala demonstrated in Reverie is also on full display here. But, where the other book was fantasy and richly imagined worlds, this one is a complex horror tale of grief and pervasive gender roles.