8 Fiction Books That Are Critical of the Art World

The Long Corner presents a fairly scathing look at the art world’s obsession with authenticity as well as patron/artist relations. Once promising journalist and now marketer Solomon Fields finds himself completely unmoored with the sudden death of his Bohemian grandmother. He gets an invitation by a reclusive billionaire who wants him to come to his artist colony on a remote island because he wants Fields to write a profile of him like Fields had in the past. When Fields goes to the artist colony, he meets artists in the colony led through strange rituals with this reclusive billionaire who has an obsession with the idea of authenticity. But the entire experience, his interactions with his fellow artists, the physical colony itself, and more makes Fields question if this place, these people are real or some elaborate joke on him. Underneath it all is an undercurrent of white supremacy tied up to this idea of authenticity.

We often view artists as these ethereal beings who are freed from societal concerns and standards. So Much Blue is a takedown of that idea focusing on Kevin Pace, a successful painter, who is working on a canvas painted in shades of blue that he won’t let anyone in his life see. The book delves into Pace’s life, an episode where he has an affair with a watercolorist in Paris, rescuing his friend’s brother in El Salvador during the war, and how it all leads to his present day and his career. It asks the question whether the sacrifices for our careers and the secrets we keep from our families and ourselves are really worth it.

On the verge of long-awaited success, disaster strikes a young artist when her studio goes up in flames. With no options and a deadline to recreate the giant paintings lost to the fire, she finds herself in the upstate retreat where art darling Carey Logan drowned. As the unnamed artist begins working on her series again, she’s drawn into the mystery of what happened to Logan. The book explores what it means to “make it” while also the double edge sword of fame and being the it girl.

In Somoza’s book, paintings and sculpture are considered antiques, much like cave drawings are viewed today. Art has moved past painting and shaping inanimate things; now people are the canvases themselves. People aspire to become canvases, spending ten plus hours posing in galleries and museums, and even people’s homes. But when the canvases of the biggest artist Bruno Van Tysch begin to be brutally murdered, the police have to dive the world of art to figure out who is behind it all. It’s an incredible critique of the art world’s obsession with new art, the sacrifices that people have to make in the art world, and how the infrastructure impacts the people around it.

I haven’t read many second person novels, so this book is all the more unsettling for that narrative choice. It is a monologue by a troubled artist as he paints his former friend and art critic who is visiting him. The artist relates their lives together back in the city. It’s a striking story about the power of art critics, the act of creation, and the people who make up the art industry. It’s a short book but you probably won’t be able to put it down, seduced by its fevered dream quality.

Best known for art-obsessed Optic Nerve, Gainza’s newest book dives into the world of art forgery and auctions. There’s a master forger in Buenos Aires who forges work by a famous Argentine portraitist. An auction house employee and art critic pair up to find out who this forger is and who is passing these works off as legitimate. It’s a different look at authenticity in the art world. Does the effect of painting matter less if it’s a copy?