9 Nail-Biting Fantasy Books About Forbidden Magic

Much like Amari, Morrigan Crow is a magic user with a forbidden power: she’s a Wundersmith, a powerful magician who can reshape the world around her. Unfortunately, previous Wundersmiths have caused immense problems for the world of Nevermoor, using their powers to work feats of magic that range from nasty pranks to apocalyptic devastation. In the second book in the Morrigan Crow series, Morrigan must negotiate her first year of training at the Wundrous Society — but all her teachers want her to know is how terrible Wundersmiths are, and how she must control, constrain, and never use her magic.

Set in Salem, Massachusetts, These Witches Don’t Burn features a hidden magical world of witch covens, based around different and distinct strains of magic. One of these types of magic — Blood Magic — is feared and frowned upon by other witches, including Elemental witches like the book’s protagonist Hannah. In fact, Hannah has a particular fear of Blood Witches, having fallen foul of one in an ill-advised trip out of town. However, as terrible events start to overtake the town of Salem, Hannah learns that she may be wrong about many things, including the nature of Blood Magic itself.

In Legendborn, we see a slightly different take on “forbidden” magic. Protagonist Bree, a young Black woman, encounters two different forms of magic as part of her engagement with two different groups: the secret society of the Legendborn, an affluent, exclusionary, and almost entirely white group that she becomes involved with in her residential university programme, who use magic to fight demons; and a community of Black women and girls who practice root magic and communicate with ancestors. Both groups distrust the magical practices of the other, and Bree must draw her own conclusions about the different types of magic as she learns about her personal and family history, and attempts to uncover the secrets behind her mother’s death.

Part of Diana Wynne Jones’s Chrestomanci series, Witch Week takes place in a contemporary parallel world where magic is real, but completely banned. Practicing witchcraft carries a death sentence, and the children of executed witches are sent to a boarding school, Larwood House. A teacher at the school discovers a note that reads “Someone in this class is a witch,” which starts a panic that leads to a witch hunt and puts the lives of the school’s children in danger.

Set in Bethel, a world of strict patriarchy and puritanical religion, The Year of the Witching tells the story of Immanuelle Moore, a teenage girl who is attempting to live a pious and holy life — but who discovers that she has family connections to forbidden witchcraft that threatens to put her and her family in danger. Henderson’s debut novel is a fascinating and often chilling feminist horror story that digs deep into the concept of “forbidden magic”, and particularly why society classes it as forbidden.

In the highly stratified city of Imardin, the magicians begin the year by chasing homeless people out of the streets — until a young homeless girl, Sonea, throws a stone that breaches their magical shields. Sonea is revealed to have magical power that the regular magicians of the guild neither trust nor understand, and this, combined with her non-aristocratic background, make her an outcast and a target even as she is taken into the guild to train. The first in a trilogy, The Magician’s Guild explores forbidden magic alongside classism and other forms of prejudice.

Tomi Adeyemi’s highly-acclaimed novel is set in the land of Orïsha, a place that used to be full of magic, until the king carried out a massacre of magic users that left protagonist Zélie orphaned and outcast. Zélie must survive, learn to control her magic, and try to turn the tide of hatred that has caused such harm to her community.