11 Biographies About Comic Book Creators

While not well-remembered today, Lev Gleason was a giant of Golden Age comics. He even invented a whole new comic book genre: the crime comic. Ironically, crime comics helped to hasten his own company’s demise (though his blatant communist sympathies did not help in the ultra-paranoid ’50s). Gleason’s great-nephew Brett Dakin paints a compelling portrait of an influential and fearless publisher.

If you’ve ever seen a Batman cartoon, movie, whatever, you’ve seen “created by Bob Kane” tagged onto the credits somewhere. But was he, though? Nobleman and Templeton argue (and it is now generally recognized among fans) that the answer is a hard “ish.” This short, illustrated biography tells the story of Bill Finger, who never received anywhere near the credit he deserved for breathing life into one of comicdom’s most iconic characters.

If you want Kane’s version of events, you can check out his 1989 autobiography, Batman and Me. Given the looks of his tombstone, however, I’d brace yourself for some terminal self-aggrandizement.

Now available for preorder, Comic Book Women is a necessary counterweight to the male-centric biographies dominating this list. Brunet and Davis take a fresh look at the early days of comics, focusing on the women who helped to build up the industry — and who were subsequently erased from the history books.

Fox was a most unlikely candidate for influential comics creator. A lawyer hit hard by the Great Depression, he ended up writing comics for extra income. Along the way, he just so happened to help invent or reinvent icons like the Flash, Hawkman, and Batgirl. He even, as I previously pointed out, invented the very concept of the superhero multiverse.

As I said in the intro, comics have long been dominated by white voices. However, it wasn’t always quite this homogeneous. In the very early days, when creating comics was nowhere near as respectable as it is now, creators of color, including Black men, were more common. Kevin Quattro’s Eisner Award-winning book pays tribute to these men, both as individuals and as contributors to an industry that seems eager to forget them.

Once upon a time, “comics” did not refer to comic books but to comic strips. Jackie Ormes was the only Black female cartoonist of her era. A talented and influential artist, Ormes nonetheless ran afoul of the FBI: unsurprisingly, in the midst of the ’50s Red Scare, her left-leaning politics were unpopular with the U.S. government.